Mozart’s brilliant Don Giovanni at Boston Lyric Opera a Must-Hear
REVIEW: Boston Lyric Opera's Don Giovanni is an outstanding presentation of one of the most important Mozart operas: the tale of the cad, womanizer, despotic, reprehensible,charming, lecherous and sensual Don Giovanni. Christopher Schaldenbrand who has deliciously made the title role his trademark, makes his BLO debut and is audacious, handsome, loathsome, comical and mesmerizing with a marvelous slithery, almost caricature-like demeanor.Susanna Phillips, as Donna Anna, portrayed anguish through her clear soprano voice and arftul acting.

Mozart’s celebrated tragicomedy of the world's most legendary lover, widely regarded as one of the greatest operas, tells the tale of the famous womanizer who has one last chance to repent of his philandering ways. But when he adds murder and blasphemy to his lengthy list of sins, human and supernatural forces exact an eerie punishment and avenge his thousands of conquests (2,065 to be exact). In the last laugh, though, Don Giovanni goes to his death with the same mocking, disdainful attitude he had towards civility, society, mores and anything but his own desires.
The new production presents the original Prague edition of 1787, which differs from the Viennese version that most contemporary audiences recognize.
Don Giovanni, the famous seducer of women is everyone’s favorite bad guy. He assaults Donna Anna and murders her father. He spurns Elvira and then he seduces the young new bride Zerlina. Don Giovanni ultimately meets a deservedly hellish end –yet he is a likable rogue.
For all its tragic elements and complex characters, there is much broad comedy in Don Giovanni which lightens the action and produces laughs throughout the three-hour long opera. The Boston Lyric Opera’s Don Giovanni is a new production with the action taking place in 1950’s Italy. Christopher Schaldenburg performs the title role with glee. The Don’s faithful sidekick Leporello is played by Matthew Burns. His bass baritone singing of the comic “Catalogue Aria” where he tosses little address books out of his pockets on the stage detailing the Don’s many previous conquests (Italy, Spain, young, old, etc.) practically steals the show. The women - Susanna Phillips as Donna Anna, Kimwana Doner as Elvira, and Heather Johnson as Zerlina are superb. Anna, a soaring soprano, pierced my heart with her mournful song for her dead father. Conductor Anthony Barrese was terrific.

Murray-Walsh's period costuming added panache to the dark set stage.
Don Giovanni at the Schubert Theatre (265 Tremont St., Boston, 617-542-4912, www.blo.org.
Boston Lyric Opera (BLO) wraps up its 2008-2009 “Spellbound” Season with a unique approach to Mozart’s brilliant Don Giovanni. The highly acclaimed director and designer team of Tazewell Thomson (Stage Director), Donald Eastman (Set Designer), Merrily Murray-Walsh (Costume Designer), and Robert Wierzel (Lighting Designer) worked with BLO staff on innovative ways to create a new production of this repertoire favorite. Bravo to a fabulous production.
When BLO’s new Artistic Director Esther Nelson approached Mr. Thompson to direct Don Giovanni, she encouraged him to create a fresh perspective on the classic opera without incurring the usual expenses of a new set and costumes. Mr. Thompson had previously worked with Mr. Eastman on the design for Death in Venice for New York City Opera (NYCO) and Glimmerglass Opera. Mr. Eastman recalls, “The setting for Death in Venice was originally conceived by Tazewell and myself as a dream-like evocation of classical and urban Italian architecture combined into one space that could evoke, through lighting, the qualities of infernal brightness or chilling darkness. Together we realized how perfect a springboard for telling the Giovanni story it was. New ideas came to light as we re-entered and rediscovered a space where yet another great story could be told.”
The choice to take Don Giovanni out of the eighteenth century and set it in the 1950s gave a more immediate feeling to the opera; no powdered wigs, long sabers or torn gowns in this production.
Don Giovanni runs May 1, 3, and 5 at the Shubert Theatre, Boston. Evening performances are at 7:30 pm; Sunday matinees at 3 pm. It is sung in Italian with projected English translation. Single tickets start at $33 and are sold exclusively at 866.348.9738 (TTY 888.889.8587), citicenter.org, or in person at the Schubert Theater, 270 Tremont Street in Boston . Discounts are available to groups of ten or more by calling Audience Services at 617.542.6772. Half price student tickets are available in advance at the Box Office and day of show office with a valid student ID.